If you think that when you’ve seen one Starbucks cafe, you’ve seen them all, you need to visit the Starbucks Roastery and Reserve Tasting Room in Shanghai. The Starbucks signature mermaid and green brand elements are underplayed to the point of not being noticeable. Elegant wood and gleaming copper finishes adorn the 30,000-square-foot establishment, staffed by 400 employees. The place feels like “Disneyland” for caffeine lovers.
The sights are awesome and entertaining! A towering copper cask, adorned with more than 1,000 traditional Chinese chops (stamps) hand-engraved to narrate the story of Starbucks and coffee. A ceiling made out of 10,000 handmade hexagonal wooden tiles, inspired by the locking of an espresso shot on an espresso machine. A Roastery featuring three wood-carved bars, one of which is 88 feet long, where customers can watch beans being roasted and baristas brewing coffee using six different methods and beans from 30 countries. If that isn’t enough, an integrated AR system, built with an Alibaba web app, lets customers immerse themselves in the space through their smartphones. There is also specially crafted nitrogen-infused teas at the tea bar, and an on-site bakery offering scrumptious artisanal baked goods by famed Italian baker, Rocco Princi acclaimed from Milan to London.
With a population of 24 million people just in the city of Shanghai, even a gigantic Starbucks store can’t serve all the locals. Shanghai already has 600 other Starbucks cafes in the city, and 3,000 locations in 136 Chinese cities, with one new Starbucks location opening in China every 15 hours.
“Keep Calm and Carry On” is the most famous British World War II poster that few people knew about until a half century later. Virtually all of the 2.5 million copies printed in anticipation of plastering the UK with them when war broke out, never saw the light of day.
It all started in the spring of 1939, as England braced itself for a German invasion. To prepare citizens for that inevitability, the UK Ministry of Information (MOI) formed a Home Publicity Committee made up of civil servants, volunteer academics, publicists and publishers to plan a campaign urging citizens to keep a “stiff upper lip.” The committee met weekly over lunch hour and suggested various slogans — e.g, “England Is Prepared” and “We’re Going to See This Through.” The committee proposed a series of seven or more morale-boosting posters, which the Treasury vetoed due to cost, giving them less than half of their requested budget. Ultimately, the MOI settled on three poster messages: “Your Courage, Your Cheerfulness, Your Resolution Will Bring Us Victory”; “Freedom Is In Peril, Defend It With All Your Might,” and “Keep Calm and Carry On.” Someone suggested “Keep Calm, Don’t Panic,” but that was nixed.
Plastic may be cheap and convenient, but there is mounting evidence that it is killing the planet and all the inhabitants on it. According to Ecowatch, today there are 500 times more pieces of microplastic in the sea than there are stars in our galaxy. By 2050, it is estimated that there will be more plastic in our oceans than fish. Enough plastic is thrown away each year to circle the earth four times. Plastic constitutes about 90 percent of the trash floating on the ocean’s surface. One million seabirds and over 100,000 marine mammals are killed each year from plastics in the ocean. Plastic chemicals can be absorbed by humans too – 93 percent of Americans age 6 and older test positive for BPA, a harmful hormone-altering plastic chemical. Some retailers are not giving up in despair, but are addressing the disposable plastics problem one aisle at a time.
Lacoste’s familiar white polo shirts is swapping out its signature embroidered green alligator logo temporarily for ten endangered animals to raise awareness and help conservation efforts. The limited edition “Save Our Species” polos made their debut at the recent Paris Fashion Show, and include the Vaquita porpoise, Sumatran tiger, Anegada ground iguana, California condor, Kakapo parrot, Saola ox, Northern sportive lemur, Burmese roofed turtle, Javan rhino, and Cao-vit gibbon.
Created in partnership with the International Union for the Conservation of Nature (ICUN), the Save Our Species Lacoste shirts have been produced in very limited number – 1,775 in total. The number of shirts produced for each species corresponds with the population of each species still surviving in the wild. For instance, only 30 polos will be made featuring the Vaquita porpoise, and 67 for the Javan rhino. The extremely scarce polo shirts, costing roughly $183 each, will be available for as long as they last from ICUN’s Save Our Species site.
For centuries, wall posters have been a favorite means to publicize events, products, causes, political movements and the like. It is a sad commentary on the 21st century that we need to use this public vehicle to draw attention to an idea as basic as Tolerance. Unfortunately, we do.
“Tolerance” is the name and theme of a traveling poster show that is now circling the globe. Organized by Bosnian-born and now New York-based, Mirko Ilic, the Tolerance Traveling Poster Show features the contributions of renowned designers including Milton Glaser (USA), Chaz Maviyana-Davies (Zimbabwe), Yuko Shimizu (Japan), Manuel Estrada (Spain), Tarek Atrissi (Lebanon), Jianping Ha (China), and some two dozen others.
To keep the exhibition accessible to a broad audience, the posters are shown in public plazas, shopping malls, parks, and other open venues instead of in art galleries and art museums. Conceived to be electronically produced and hung anywhere in the world within a week, the Tolerance posters show is expected to run for two years. To date, it has been shown on nearly every continent, with illustrators and designers from exhibiting countries contributing their own Tolerance poster to the show.
Most municipalities around the world view sewage manhole covers as a mundane part of the urban infrastructure. At best, they try to make these heavy metal plates functional and inconspicuous. Instead, cities and towns focus their civic beautification efforts on creating a broad range of public art installations — murals, sculptures, archways, fountains, and the like. But ignoring the artistic possibilities of humble manhole covers is a missed opportunity. These metal plates, typically 34 inches in diameter, are the perfect size for casting images and decorative patterns that relate the culture, history, industry, and flora and fauna of the area.
When people think of becoming a designer, they usually think of print graphics, industrial, digital, environmental, interior, software, etc., but design encompasses a lot more territory than that and has many subsets. This is an interview with Dublin-based designer Annie Atkins who specializes in creating authentic-looking props and graphics for such films as Wes Anderson’s The Grand Budapest Hotel. Here, Atkins talks about her craft and the importance of paying attention to seemingly insignificant details.
Many companies pick brand names for reasons that only they understand. Some names just feel good on the tongue or will look strong on packaging. OXO, for instance, was named by kitchen tool founder Sam Farber, because it was easy to pronounce in any language, spelled the same in any direction – forward, backward and upside down, and fit on any size packaging. This quiz challenges you to match the brand name with the clues below, and then identify the original source for the names.
We are proud to announce that Kit Hinrichs, the founder and art director of @ Issue, head of Studio Hinrichs, and former Pentagram partner, received a Lifetime Achievement Award from Art Center College of Design last weekend. Congratulations, Kit. We’re proud to work with you, and grateful for your contributions to design.
Pantone, the authority on all things color, has announced that Ultra Violet – aka, Pantone 18-3838 — will be the Color of 2018. Pantone didn’t come up with this pronouncement arbitrarily, although it would seem that funereal black or pukey orange would be more fitting to the times. Pantone color gurus, however, are more philosophical and optimistic – and less snide. The Institute describes Ultra Violet as associated with “mindfulness practices, which offer a higher ground to those seeking refuge from today’s over-stimulated world.” Pantone vice president Laurie Pressman says, “Pantone Color of the Year has come to mean so much more than ‘what’s trending’ in the world of design, it’s truly a reflection of what’s needed in the world today.” Considered in that light, I would nominate “Pussy Hat Pink” or Fire Rescue Red” instead.
Noted science writer Janine Benyus, who coined the term “biomimicry” in 1997, has provided convincing evidence that there is a lot that designers can learn from nature. Often times designers aren’t so much innovating new forms and technological concepts as they are shamelessly stealing what the animal and plant kingdoms have worked out over the span of millions of years.Through biomimetics, designers are adapting nature’s best practices into products, systems and processes that are revolutionizing our lives. This video, co-produced by Vox Media (Christophe Haubershin) and 99% Invisible (Roman Mars and Kurt Kohlstedt), explains how biomimicry underlies discovery of exciting new ideas. A highly recommended must-read is Janine Benyus’s book ”Biomimicry: Innovation Inspired by Nature.”
Some design feats deserve to be recognized. This “Birds of North America” poster by Pop Chart Lab is such a remarkable accomplishment. The aviary chart features all 740 feathered friends that inhabit North America, from barn owls to bluejays to whooping cranes and California condors. The chart includes both native and introduced birds on the continent, as designated by the National Audubon Society and the Cornell Lab of Ornithology. It took a team of artists more than 400 hours to draw the birds in intricate detail, organize them by species and arrange them in relative scale. Included on Pop Chart’s poster are some 14 species that are on the endangered list, and that is not counting the 46 million turkeys that will meet their doom this week so we can contentedly consume them on Thanksgiving Day. Above is a picture of a turkey in happier times.
Op-ed columnists write copious essays laying out carefully reasoned arguments to support their point of view; editorial cartoonists sum up their take on current events in one iconic, thought-provoking, and often humorous image. A case in point can be seen in Barry Blitt’s new book, “In One Eye and Out the Other.” A long-time cartoonist and illustrator for The New Yorker, Blitt uses analogy, exaggeration, and irony to make people think about events of the day.
Is this a mischievous prank played by Pixar animators when their bosses aren’t watching? Or is it a type of subliminal advertising? Or is it a bonus game inserted into films for the Pixar movie obsessed? For a while now Pixar has been hiding so-called “Easter eggs” in their films, slipping a character from Finding Dory, Toy Story, Monsters Inc., Cars, Ratatouille, The Good Dinosaur, Inside Out, etc., into a new film release without fanfare or warning. These quick cameo appearances happen so quickly, they may go unnoticed or trigger a faint sense of the familiar. Now Disney/Pixar has released a video montage of characters who were hiding in plain sight. Pixar calls them “Easter eggs,” but the game is more like Where’s Waldo?”
At the end of every harvest season, farming communities around the world celebrate with festivals, parades, and the crowning of harvest queens. (e.g., in 1948, an unknown actress named Marilyn Monroe won the title of Artichoke Queen in Castroville, Ca.) These festivals are usually the most exciting local events to happen all year. Except for folks from neighboring farm communities, they don’t draw many out-of-towners, much less real tourists. But in the rice-growing region of Northern Japan, tourists flock in for the Wara Art Matsuri.
Berlin-based ad agency, Jung von Matt, has produced a wildly over-the-top ode to grilling meats that could be a scene from “Game of Thrones.” Made to promote the German supermarket chain Edeka, the ad titled “Men of Fire” relates the affinity of fire to meat through the ages. British actor Christopher Fairbank narrates with Shakespearean gravitas the importance of fire as he walks us through the centuries. “In the beginning there was fire kindled by lightening from heaven,” he roars, taking us past cavemen gnawing on “slain” charred meat. Fairbank’s scorns the modern barbecue fare – the “ridiculous sparkling drinks, the fussy pretentious artisanal salads, breads, and sweet dips too.” The one eternal truth he tells us is that “meat was meant to be charred.” The ad was a wonderful spoof, although since Edeka isn’t an American brand, it was unclear what the ad was plugging. Still it was memorable and fun.