Sainsbury’s, the UK’s largest supermarket chain, has made a holiday TV commercial starring Mog the accident-prone cat, the beloved character in a series of popular children’s books by author Judith Kerr. Although categorized as advertisement, the 3 1/2 minute “Mog’s Christmas Calamity,” is a charming storybook tale narrated by acclaimed actress Emma Thompson in a voice akin to her role in “Nanny McPhee.”
Sainsbury’s ad agency Abbott Mead Vickers BBDO persuaded the 92-year-old Judith Kerr to write and illustrate a new Mog story for the Christmas campaign, despite having “killed off” Mog of old age in her 2002 book, “Goodbye, Mog.” Published in partnership with HarperCollins, the “Mog’s Christmas Calamity” book is being offered for purchase by Sainsbury’s with all proceeds going to Save the Children, a nonprofit dedicated to improving children’s literacy in the UK. Only on the market for a few days, the book has already sold in the thousands.
The Christmas advertisement program itself also has been a huge success with adults who fondly recall reading Mog books when they were young. The Sainsbury’s Mog ad campaign was written by AMV BBDO’s Alex Grieve, art directed by Adrian Rossi, and directed by James Rouse through Outsider.
This is a clever low-tech, low-cost way to simulate motion in print advertising. No need for fancy augmented reality or QR triggers; the woman in the photograph starts her workout routine when the reader opens the magazine spread. The Adidas Forever Sport campaign, named “Designed to Move,” was created by Tequila/TBWA/Hong Kong for the Chinese market. Read More »
Don’t worry, no pets were harmed in the making of this ad for 3M Lint Rollers. Created by Grey Group Singapore, this print poster campaign for 3M India provides a wildly exaggerated demonstration of how effectively the product picks up pet fur and other types of lint. The Grey Group team included chief creative officer, Ali Shabaz, with art direction by Ang Sheng Jin, photography by Jeremy Wong (Nemesis Pictures), and major retouching by Evan Lim (Magic 3). Read More »
Insurance companies are their own liability when it comes to describing the services they provide in advertising. Boring. This explains why the insurance giants resort to surreal humor, wild exaggerations, and CGI characters to keep viewers from immediately switching channels. Particularly memorable are Geico ads, which feature anthropomorphic animals such as its gecko mascot, created by Richmond, Virginia-based The Martin Agency. Geico ads have featured other animals too, including a talking duck, pig, squirrel, goat, kraken, and chihuahua. Lately, a smart-ass camel has a starring role. What’s interesting is that the 30-second commercials give viewers no clue what product or brand they are promoting until the last five second closing voiceover. “It you want to save 15% or more on car insurance, get Geico. It’s what we do.” It must work because viewers remember Geico’s tagline. Read More »
This commercial for Honda does not promote its products as much as it highlights how its “Power of Dreams” philosophy has informed the brand’s approach to innovation and engineering over the years. The animated video, created by stop-motion filmmaker PES, uses sketches drawn on paper as a metaphor for the birth and development of ideas. Combining low-tech and high-tech skills, PES assigned multiple artists to hand draw and color thousands of illustrations and then shot the sketches in-camera to form a continuous “flip-paper” journey through Honda’s 60 year history, from founder Soichiro Honda’s use of a radio generator to power his wife’s bicycle, to the development of motorcycles and outboard motors, to today’s planes and automobiles. Reflecting the passage of time, the paper changes from yellowed fine line drawings to more colorful mechanical renderings. Even as the scenes change with ever-greater speed, the human hand plays a role in every frame. Very thoughtfully conceived and executed. Read More »
The beauty of Old World craftsmanship is expressed in this Home Run King bat trophy commissioned by Nike. Featuring the exquisite lettering and design of Salt Lake City-based Kevin Cantrell and New York-based Juan Carlos Pagan, the trophy is designed with a typographic treatment that circles the entire circumference of the bat. Richmond, Virginia-based firm, Big Secret, handled production, engineering the artwork to be laser-etched around the bat’s circumference in a seamless finish. Read More »
This Israeli TV commercial by BBR Saatchi & Saatchi starts by showing the candid reaction of the type of consumers who find their product disgusting and yucky. Then it shows the sublime contentment of a target customer. The message is clear: Strauss Group’s Splendid bitter dark chocolate is meant to appeal to worldly sophisticated palates, and adults don’t have to worry that kids will raid their candy stash.
These are ads that assume viewers have a certain familiarity with how the word game, Scrabble, is played, and enjoy the intellectual pursuit of deciphering connections. Created by ad agency, Twiga, in Kiev, Ukraine, and design firm Tough Slate Design, these print ads are treated as visual anagrams that challenge viewers to combine two disparate things to make a new word – e.g., pen-guin, crow-bar, car-rot, cat-epillar. It’s amusing to imagine combinations of your own.
In Spain, ad agency Lola Madrid and film director Rodrigo Saavedra created a video commercial for Scrabble that turned real words into anagrams, weaving them all together into a fanciful love story. Some of the anagram connections were a bit of a stretch, but not so much that you weren’t charmed by the story line – and creative effort.
Columbus, Ohio-based Danielle Evans, who goes by the firm name Marmalade Bleue, pursues a quirky design genre – food typography. She uses food ingredients to create very ephemeral letterforms, such as in a “Food for Thought” video for Target stores.
On her Marmalade Bleue blog, Evans explains how her approach differs from others who have used food ingredients as a writing medium. “Food type had been used sparingly as one-offs in the past, all of which utilized the materials incidentally without applying a typographer’s touch,” she says. “The novelty of food as lettering trumped the presentation and legibility of the forms. I chose to apply my background in illustration, sculpting, and painting to create letterforms with dimension, play of light and edges, and happenstance flourishes with personality.”
Describing her methodology, Evans adds, “Rarely do I use typefaces or fonts to influence my work, instead I rely on the materials to dictate the best course. I’ve chosen a symbiotic relationship with my materials, suggesting rather than forcing their direction. Lettering allows for incidental flourishes and ligatures associated with calligraphy, the true nature of my work.” Intriguing and beautiful. Read More »
In a marketing campaign created by Y&R, Sao Paolo, Brazil. Ironage, an isotonic sports drink made in Brazil, targeted athletes who constantly strive to exceed their own personal best. In addition to print ads featuring athletes, Y&R promoted the brand strategically in places where customers were most likely to congregate – namely, gyms, parks, and health clubs. There, they introduced vending machines, dubbed “Pulse Machines.” Consistent with the brand’s slogan “Keep Moving,” the machines read the customer’s heart rate with each use. The higher their heart rate, the bigger their discount on a bottle of Ironage. The Pulse Machine challenged the competitive spirit of these athletes and turned them into word-of-mouth promoters of the brand as they compared their pulse readings. Read More »
This ad campaign for The Art of Shaving Barber Spa, by ad agency BBDO New York, presents several key marketing messages in a single image. Caressing hands shape and give loving attention to every type of beard. The brand name itself “The Art of Shaving Barber Spa” implies that its men’s shaving and skin care products and shaving services are high-end and exclusive. Its wares are not cheap disposable razors that you buy by the dozen at Walmart.They are luxury items sought by men who go to aestheticians for a trim and wear subtly scented aftershave. Interestingly, Proctor & Gamble, which owns The Art of Shaving brand, isn’t named anywhere on the ads. The maker of snack foods, detergents, toilet paper, disposable diapers and teen-affordable beauty products sold in supermarkets, P&G knows that its reputation won’t add cachet to this line, but make it seem more ordinary. Read More »
Tintin, the adventure-loving boy reporter comic character created by Belgian cartoonist Hergé in 1929, is jetting around the world in style lately. Brussels Airlines has dedicated an entire Airbus A320 to Belgium’s most beloved ambassador. Tintin’s special livery is disguised as Professor Calculus’s famous shark submarine from the “Red Rackham’s Treasure” album, with Tintin and his dog, Snowy, shown flying the aircraft. The plane’s interior continues the cartoon theme with images of Tintin and Captain Haddock on the rear cabin wall.
The choice of Tintin as a promotional mascot is a natural for Brussels Airline. Tintin is renowned throughout the world and very Belgian. The Tintin livery project is collaboration between Brussels Airlines and Moulinsart, owners of the works of Hergé. The Tintin design will be featured for a year.
Explaining its campaign strategy, Brussels Airlines stated, “As a company, our goal is bring people together and to make travelling a pleasure. Tintin is the ideal travel companion to help us do this: Adventurous, ambitious, friendly, and naturally curious.” Read More »
Shocase is a new social network site with some of the intentions of LinkedIn, Pinterest and Facebook, but is targeted specifically to the 100+ million marketing professionals worldwide. It acts somewhat like the old Blackbook directories, but in a friendlier, more interactive and constantly updated way.
Shocase CEO Ron Young explains, “Members can present their work, skills and experience in the best light to the audience they value most; brands can find the right marketing professionals to suit their needs in any discipline. The site is designed to help build working relationships, and ultimately help members grow their business.”
It’s the end of the road for the Land Rover Defender, the UK’s original off-road vehicle. Introduced in 1948, the intrepid Defender became the vehicle of choice for safari guides, cattle ranchers and explorers of the rugged outback. But in 2015 increasingly tough emission standards finally put the brakes on production. Before we say goodbye to the iconic 4×4, let’s revisit one of the Land Rover Defender’s best ads, created by London ad agency, RKCR/Y&R, in 2011. The print ad shows an open passport bearing multiple passport stamps that overlap into the shape of a Land Rover making a steep uphill climb. The image embodies the go-anywhere, handle-any-terrain reputation of the brand simply, succinctly, and brilliantly.
How do you publicize something that is widely considered socially rude to talk about? It’s okay to urge people to get regular dental exams, annual mammograms, eye tests, and melanoma check-ups, but suggesting the need for a rectal exam is usually not well received (and often not meant in the kindest way). Yet colon/rectal cancer is the second most deadly cancer in America. Ironically, it is also one of the most treatable types of cancer if detected early through regular rectal exams. Meredith’s Miracles Colon Cancer Foundation wanted to bring these facts into the public discussion and asked the ad agency, FCB Chicago, to raise awareness through a public service ad campaign. FCB delivered the warning to Chicago commuters by selectively posting ads on the back side of bus seats. In this case, the placement of the ad is the butt of the joke.
Viewers hate YouTube preroll ads, those irksome commercials that run before you get to watch the real YouTube video you want to see. One survey revealed that 94 percent of viewers will hit the “Skip Ad” button as soon as it appears. But advertisers keep sticking their commercials up there, presumably in the belief that the few they don’t annoy will embrace their message fondly and run out to buy their product.
This brings us to the Geico preroll, created by The Martin Agency in Richmond, Virginia. In a YouTube ad campaign that can only be viewed as experimental, the car insurance giant crammed its ad message into the critical first five seconds, and then spent the next 60 seconds having the main actors freeze motionless, while absurd actions happened around them. The only mention of Geico was the brand name that stayed on the screen. I didn’t get it, but thought it was funny anyway. I watched it three times to see if I was missing a deeper message. The only thing that annoyed me was that a preroll ad for another product ran before I could watch the Geico ad. I hit “Skip Ad” on that one as soon as it let me. Read More »