The other day we were lamenting that good art-directed, concept-driving original photography has become a rarity when we happened upon this Washington Life Magazine piece on the Washington Ballet’s production of “Alice in Wonderland.” Photographed by Dean Alexander with creative and art direction by Design Army’s Jake and Pum Lefebure, the photo essay presents a consistent and cohesive story line, communicated through thoughtful choice of lighting, scale, pacing, mood, poses, typography and layouts. Everything hangs together as a piece. The photos have a subtle narrative flow, beginning with the lost look of Alice in an innocent baby-blue dress, all the way through to the playful mid-air leaps of Tweedle-Dee and Tweedle-Dum and the White Rabbit, to the darkly surreal portraits of the Mad Hatter and the Queen of Hearts staring provocatively at the camera. Although Lewis Carroll’s tale of Alice in Wonderland is well-known, this photo shoot reveals strong art direction by Design Army to ensure that the make-up, hair and costume stylists, the photographer, and models are all working toward the same vision on how the story should be told.
Here’s a new twist on an old Japanese folk art – painting kokeshi doll faces on matches. The original kokeshi figures, introduced a couple centuries ago, were inexpensive souvenir items that visitors to the onsen (spa) villages of northern Japan would buy to give to friends back home. (Even in California, we used to have a half dozen kokeshi, along with snow globes from New York, native American trinkets from the Grand Canyon, and seashells from Hawaii – don’t know what happened to any of them.) It’s the kind of gift that would merit a T-shirt that read: “Grandma went to the onsen and all she brought me was this wooden kokeshi.” Kokeshi dolls were distinguished by their simple rectangular torso, lacking arms and legs, and their enlarged round wooden heads, minimally painted to indicate eyes, hair and maybe a mouth or nose. (Think “Hello Kitty,” who is also missing a mouth.)
This fun TV commercial, which won a 2011 One Club gold pencil award in the Broadcast Design single category, was created by BBDO Dusseldorf for Braun’s Satin Hair 5 Multistyler curler. The “hairmoticons” ad, set to the tune of Leroy Anderson’s “Typewriter,” suggest that users can curl their hair in whatever style suits their mood. The animation is by VCC. Cute.