This skit by the British comedy team David Mitchell and Robert Webb from Channel 4’s “That Mitchell and Webb Look” sketch show kinda feels like the circular discussions that many of us sometimes have with clients, creative directors and team leaders. OK, not quite like that, but kinda like this. OK, the talk isn’t about fictional heroes, sex or killer sharks, but swap out the sex and killer sharks with marketing lingo and brand positioning and it’s almost identical. Well, not identical, but close. The free-association constructive criticism has the same baffling effect. Maybe not, but you know what I mean. If you don’t feel like that, just ignore this and enjoy the video for what it is. Or not.
With the right technology (and talent), there’s no such thing as still photos anymore. The technique in this video is called “parallax effect,” which makes it appear that objects closer to the viewer move faster than those that are farther away. Joe Fellows from Make Productions in London made this film using still images from the World Wildlife Fund archives. As quoted in SLRLounge.com, Fellows explains, “We used Photoshop to cut out individual parts and then animated them in After Effects…There was no 3D mapping, all in 2D. There are many layers per shot, the ears, the teeth, the whiskers, the head, the body, the background are all separate layers. Then the layers are parented to one another and moved either by position or by using something called the puppet tool.” Set to the music of “What If This Storm Ends” by Snow Patrol, the result is a “high-speed” slow-motion parallax sequence film that presents a poetic, dreamlike study of nature in motion.